“About Time” Review

Time travel isn’t a science fiction element exclusive to the genre that birthed it. If I’ve learned anything from the Back to the Future trilogy, it’s that the ability to manipulate the past and future can spawn many different stories. About Time does just that: it takes a character with the ability to change the past and has him use his powers to find the perfect woman romantic comedy style.

Right off the bat, I had serious doubts about this story. I’ve been burned before with this concept as with the incredibly boring The Time Traveler’s Wife and the predictably routine Click. Luckily, this was a movie in the hands of Richard Curtis (Love Actually). And while Curtis doesn’t really think through the whole time travel angle, he does know how to craft an enjoyable rom-com.

When Nick has finally come of age to move out of his parents lush home, his dad reveals that the men of the family have the amazing ability to turn back time by simply thinking about a point in time. He tests this out by going into the closet, thinking about the New Years party he was at last night and ends up back at that very point in time. Every element recurs unless of course Nick desires to change it. This allows him to craft the perfect life where just about every mistake he makes with the girl he desires most can be averted. Every line can be a gem, every kiss can be the best and every move will be perfect. But there’s always a catch when it comes to messing with time and Nick soon learns the consequences and how he can’t exactly save everyone.

Though the film’s main goal is to present a charming romantic comedy involving time travel, it also has a lot to do with the relationship between Nick and his father. The two of them, sharing the same ability, chat a lot about what good can come of this power and how best to use it. You really get a sense of more or less the reality of these powers as Nick’s father covers what he’s spent most of his life achieving and regretting with changing time. You can use this power to read every book in the world twice or become a famous actor several times over, but none of it beats a date with your favorite girl or a game of ping pong with your dad.

As a warning, don’t go in expecting a satisfying portrayal of time travel. The whole concept of time travel itself doesn’t make much sense in cinema to begin with, but the inconsistencies are a little more visible here. The rules of Nick and has dad’s abilities are played very loose as you can apparently take others with you as you travel to the past. The implied paradoxes of adding another character for the journey not to mention that Nick at one point uses his power to travel back to his childhood would make one’s head explode. Take a cue from the Austin Powers films and don’t overanalyze it too much.

If you’re willing to go along with suspension of disbelief, About Time is a very pleasing romance romp with a unique concept. There are plenty of likable characters, genuine comedy and real emotion to fuel the entire redoing a timeline concept. As someone who wasn’t fond of the concept or romantic comedies in general, I was very surprised at how entertained I was by the whole scenario. For being Richard Curtis’ final film, he certainly turns in an astonishingly heartwarming story that touches so many bases about life, love and family. It’s not exactly a masterpiece of the genre, but the movie is irresistible enough to bring a smile to even the most jaded audience.

“Doctor Who: Day of the Doctor” Review

While I have really dug the 50 years of Doctor Who for all its incredible stories and cheap effects, I’ve never really dug the reunion-style anniversary specials. Sure, it’s kind of cool to see multiple iterations of the iconic space-travelling Doctor in the same episode, but the stories were hardly the highlights of the series. The Three Doctors pretty much had William Hartnell wheeled out for a few lines and The Five Doctors edited in footage of Tom Baker from an unfinished episode. The plots were essentially written around the possibility of rounding up as many Doctor actors as possible. So I was a little hesitant about this 50th anniversary which brought together Matt Smith and David Tennant. However, a strong script and a great guest spot by John Hurt as the “secret doctor” manage to make this a superb special that rises above the others.

Similar to the other anniversary specials, three generations of the time-traveling Doctor are thrown together by a key event. The center of the story is a forgotten version of the Doctor (John Hurt) during the cataclysmic event known as the Time War. The war in which the Daleks and the Time Lords battle for the fate of time and space was brought to a close when the Doctor activates the Time Lock, trapping the Daleks and Time Lords forever. However, before he pushes the button, the entity of Bad Wolf (Billie Piper) opens a portal in time to witness his future incarnations if he goes through with his plan.

The old and worn Doctor happens upon both the 10th (David Tennant) and 11th (Matt Smith) versions of himself in different time periods. The 11th Doctor is trying to solve the mystery of the missing subjects of paintings in modern London while the 10th Doctor is in the 1500’s dealing with a Zygon threat. The two incidents are actually connected which brings together both of them as well as the forgotten Time War Doctor. But the solution to this Zygon threat may also hold the key for rewriting the history of the Time War.

This special manages to succeed as both a solid story and a reunion of sorts. The characters are not just trotted out for the sake of seeing them again as there is plenty going on for every character to shine. Guest star John Hurt really brings his A-game here completely inhabiting the role of grumpy, weary Doctor tired and worn from the Time War. His chemistry with the goofy David Tennant and the exuberant Matt Smith was priceless. And, thankfully, the majority of the film has them all working together to not only solve a common problem, but discover more about themselves.

There’s a brilliant moment when John Hurt asks the two Doctors if they remember how many children there were on Gallifrey before he activated the Time Lock. David Tennant remembers the exact number while Matt Smith has forgotten it over time. You really get a sense of how the characters have changed and what they think of themselves for the choices they’ve made in the past (even though we’re really only meeting one of them for the first time). It’s a solid build-up for the grand climax that not only reshapes the lore of Doctor Who, but also gives a chance for the grandest reunion of them all with all incarnations of the Doctor involved. There is even a brief glimpse of the next Doctor and a surprising cameo role by one of the notable actors of the series.

Special effects wise, this is the biggest production I’ve seen out of the series to date. Just the brief battle scenes of the Time War on Gallifrey are unbelievably epic in scale and detail. Large fleets of starships bombard the planet, troops defend the planet with laser rifles and the Daleks go down in glorious explosions.

The main villains of this special, the Zygons, were a bold choice given their strange designs. Thankfully, they come off fearsome thanks to some top-notch practical and CGI effects. All the sets from the art gallery to the historic countryside look fantastic. There are too many memorable shots to pick just one as a favorite. The opening scene where the TARDIS is airlifted to the scene, the moment when all three Doctors meet, the stand-off in an underground bunker and even the expected shot of all 12 doctors together look spectacular.

Showrunner Steven Moffat has managed to achieved what I never thought I’d see: a Doctor Who anniversary special that may be the best of the entire franchise. It continues the story of the character, rewrites the timeline, takes notable risks and is just a solidly written piece. Usually with Doctor Who, I try to look past much of its shortcomings or ironically go along with them to be entertained. Day of the Doctor is genuinely enjoyable all the way through. As a fan of the show, this is the best one could hope for from a 50th anniversary special.

“Man of Steel” Review

It’s been a long time since there has been a decent Superman movie. Superman 3 and Superman 4: The Quest for Peace were lackluster to the say least and Superman Returns was more of a love-letter than an actual remake or sequel. In the crafty hands of Zack Snyder and Christopher Nolan, Man of Steel manages to be the Superman I’ve been waiting for. He doesn’t explode on to the screen with the same resonance as Batman’s reimagining, but it does lay a solid foundation for the primary-colored cape.

Told in a slightly non-linear fashion, we get to see the last son of Krypton rise to the title of Superman. The film explores how Clark Kent learns to find his place in the world and cope with his powers that become painfully overwhelming at times. In his early adult years, Clark Kent wanders the globe just trying to blend in, but always seems to end up using his powers. Eventually, he discovers the secret of his alien race via an alien vessel buried in the ice. At which point, we finally get to see the iconic suit. It took an hour, but it was well worth the build-up.

Our antagonist for the movie is Zod; not an original villain, but a strong choice that fits with the story. Having escaped the Phantom Zone for his crimes against Krypton’s council, Zod wants to turn Earth into a new Krypton with a giant gravity-smashing device. In addition, he also wants to retrieve the vital codex of his people who were actually stored within Superman’s DNA. Realizing he doesn’t need Superman alive to retrieve this information, it isn’t long before the two duke it out in a city-smashing brawl that makes Superman 2’s fight look like a minor scuffle.

This is a much different Superman than the usual movie affair. Unlike like previous incarnations which dive straight into the heroism theatrics, fun though they may be, this is man struggling to both function with and properly use his superpowers. It gives a reason for why Clark dons the cape and why he decides to lead the life we know he’ll pursue. The scene where he first learns to fly by taking massive leaps and bounds is the best moment of the film as we actually get to see Superman take shape before our eyes.

This is not a perfect movie. It has some pacing problems and the third act fight scene goes on a little too long. And the biggest concern seems to be the violence in how Superman seems to decimate Metropolis and ultimately murder his enemies. But this is actually the most unique aspect of Superman as a character. When he reaches the climax which results in him murdering his foes, he’s frustrated and angry. He realizes he has to be smart about how he uses his powers and foils the bad guys. This is a man still struggling to find his place in the world and how to be a hero. I enjoyed the development in how he still has a ways to go instead of just quickly jumping into the suit and knowing exactly what to do.

For all its questionable flaws, Man of Steel is on the same level as Batman Begins. And that movie had a few problems as well, but the sequel more than learned from those mistakes. That’s why I was so excited after seeing Man of Steel for how much potential a sequel can hold for being the best Superman movie since the original. At any rate, Superman is back and I couldn’t be happier.