The story starts off simple enough, but soon twists itself into a series of love triangles. There is a good part of the forest with plants and fairies and a bad part of the forest inhabited with swamps and bugs. The good-natured Fairy Kingdom is about to have a wedding as the ecstatic princess Marianne is to be wed to the cocky Roland. But when she discovers that Roland has secretly given his heart to another, Marianne quickly sheds her princess persona to become a hardened warrior vowing never to fall in love again. Fairies must have wicked mood swings to go from romanced royalty to battle-hungry soldier in a few minutes. Perhaps the abundance of too much splendor in an overly cheerful forest kingdom brings out a quick wish to strife.
While Marianne builds up her angst, her best friend Dawn becomes kidnapped by the evil Bog King of the dark swamp lands. This comes just as the shy elf Sunny has acquired a love potion he hopes will win him the heart of Dawn. But when Dawn inhales the potion, the person she spots to fall in love with is the Bog King. Thus begins an adventure tale of sword fights, giant forest creatures, romance and musical numbers.
While all the songs are sung by different characters in context to their current emotions, these are all cover songs of classic rock and pop tunes. Nearly all the songs are actually sung by the lead voice actors Evan Rachael Wood and Alan Cumming. While their singing voices are more than decent, it made me wonder how much better they’d fair with more original songs as opposed to the overly familiar melodies of Burt Bacharach’s “I’ll Never Fall in Love Again” and The Troggs’ “Wild Thing”. George Lucas stated that he initially wanted to have Beatles songs, but they were too expensive. While it might have made the music a little more interesting, I doubt it would’ve improved the presentation nor would the other idea to simply make the movie an opera.
The biggest hurdle for any animated film to conquer – especially one that has been tossed around to various companies – is the animation itself. In terms of design and texture, this computer animated world doesn’t look half-bad. There was certainly some detail put into this as one of the cast members remarked how many changes her character’s hair went through. And while it’s pleasing to see computer animation with designs more anatomical than stylized, it certainly could have used more appeal. Maybe it was due to the production lasting 15 years in various stages, but the characters resembled those old animation tutorials I used to use in college. The fairies, trolls and elves all resemble designs that seem ripped straight from a student animation. It’s an A+ student project, mind you, but this is a theatrical animated picture we’re talking about written by an accomplished filmmaker.
There is some humor and spunk to Strange Magic, but it’s just as shoehorned in as the musical numbers amid a twisty plot of romances. All of the appeal – progressively appealing as it seems – just narrowly misses the mark. The animation is decent, but most kids are not going to respond to an animated film of decent quality. The songs are a charming addition, but outplay their welcome as the relation grows more base with the on-screen emotions. And, most importantly, it all just doesn’t blend as well it should. A fairy romance/action/musical animated picture may work someday, but not with this movie. With its fluctuating tones and simple story elements, Strange Magic is more strange than magical.