It’s time to make the chimichangas once more, but Deadpool 2 doesn’t exactly bring a new recipe to the table, more or less reheating his fourth-wall breaking insanity with discerning splashes of new characters to ally and assault. Is it still as funny and biting as the previous film was with savaging the unstoppable superhero cinema franchises? Absolutely, but between the laughs is a lingering element of sequel-itis and overstuffing, a common trait of most superhero sequels that could use a good ribbing. The film may be knowing enough to mock Fox’s lack of character licensing and their poor decisions with previous Marvel movies, but it could stand to defy convention a little more as it defies just about all other expectations of the genre.
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If the abundance of superheroes at the cinema has fatigued audiences, Avengers: Infinity War may be the most exhausting of the subgenre, albeit the most satisfying of the Avengers films. There are well over 30 heroes present, multiple arcs that splinter and crossover, and the grandest of action scenes in a superhero ensemble to end all superhero ensembles. It’s a mighty ambitious project with a budget as monstrous as its casting, but it’s a relief to report that directors Anthony and Joe Russo have proven once again they can juggle dozens of characters and twice as many plotlines. There isn’t much time for the audience or the characters to catch their breath in this mad dash of an event picture, but the amount of chemistry and pathos weaved into this oversized action picture is an amazing enough feat in itself, daring enough to dizzy even the most astute of Marvel fans.
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As the third attempt at adapting Ben Edmund’s cult classic comic book for the small screen, Amazon Studio’s take on The Tick is perhaps the most liberating. Unshackled from the binds of network television, the superhero show can venture into any territory it feels free; from dark pathos to bloody action, to more blatant adult situations. It’s this freedom that gives the latest interpretation of the big blue hero’s world a plethora of potential, even if it has yet to fully tap all it’s worth.
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Full disclosure: I’m more of a DC Comics man than a Marvel reader. So I was very much anticipating the first big-screen depiction of the Justice League, despite Warner Brothers’ questionable stumbling towards creating a DC movie universe. The bar is pretty low for this film, which is rather disappointing for DC’s first theatrical ensemble picture. Though Snyder’s direction is still spotty and flawed, there are small bursts of hope present, more so than the painfully dark and muddy Batman v. Superman, though not as many as the triumphantly bold Wonder Woman movie.
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Thor always felt like a character of untapped potential. He’s a god of thunder that defends his mystical kingdom of Asgard from the other intergalactic forces of the nine realms. So why does everything have to take place on Earth? Finally ditching his female love interest, Thor finds on a new mission where he gets to fight more monsters, meet more odd characters and travel amid the most lavish of locations. It’s more fun to watch his adventures on a junker planet of gladiator combat than stopping yet another doomsday device from blowing up the planet. There are more than enough heroes on the planet for the hammer-wielding god to have a Work-From-Home-Realms week.
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While Sin City used a CGI-created world to amplify the grit and bite of classic noir, 300 uses that same technology to turn a Greek war epic into a pro-wrestling cartoon. Based on Frank Miller’s overblown depiction of The 300 Spartans, this film is a visual feast of farce. There are massive armies of seemingly endless soldiers, far more than I doubt any kingdom would be able to manage for a single battle. The muddy palette of foreboding skies and darkly lit battlefields was probably intended to look gritty but comes off more like a vibrant depiction of a cloudy Sunday in August. And I can’t forget those laughably buff and greased-up muscles, always showcased in battle. Spartans would traditionally wear bulky armor to protect themselves, but maybe those rock-hard abs are as strong as metal.
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