“Glass” Review

There’s a lot of potential in a film like Glass to be M. Night Shyamalan’s best film as a crossover of Unbreakable and Split. Assembled are three top notch actors handed meaty roles of super-powered people with conflicting views of the world. All the ingredients are there for a brilliantly terrifying and insightful film of superheroes and supervillains but all Shyamalan seems to do with the material is throw it in a comic book pressure cooker set to the mildest of settings that even his twist comes off more disappointing than insane. Continue reading ““Glass” Review”

“Aquaman” Review

I dread making this statement but I feel as though I must; I dug Aquaman before he was cool. At least the cool that I’m sure many are experiencing with James Wan’s Aquaman movie, championing the media stigma of his past appearance on Super Friends making him look like a dope. Consider how the oceans are vast and not entirely explored a realm, teaming with untold discoveries. Also consider how Aquaman wields over this domain with his best girl Mera, able to control water to such a degree she could remove all of it from the human body in a few seconds. Wan is aware of all this and taps all the potential an Aquaman movie is worth, patchy and messy as it may be. Continue reading ““Aquaman” Review”

“Spider-Man: Into the Spider-Verse” Review

If you’re still wondering why superhero movies are still prevalent and prospering in the face of saturation, it’s because many of the Marvel productions are experimenting and venturing down paths less explored for superhero cinema. In a year where Marvel has already shattered expectations with tales of politics (Black Panther) and pathos (Avengers: Infinity War), Spider-Man: Into the Spider-Verse is very much the most daring in scope, visuals, characters, and storytelling. All of this not only makes this movie the best animated film of the year but the best superhero film as well. Continue reading ““Spider-Man: Into the Spider-Verse” Review”

“Venom” Review

What does a solo film about the Spider-Man villain Venom need to be a good film? After the trailer debut, I kept hearing the same things about the look of Venom, fans being excited that the movies had finally gotten the iconic comic book character right. Sure, in about a minute’s worth of footage, he looks great. It’s just the other 111 minutes to fill that the movie turns into a mess as sloshy and unstable as the very alien Symbiote that creates the anti-hero.
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“Ant-Man and the Wasp” Review

This is exactly what I needed. After the dense cultural aspects of Black Panther and the darker pathos of Avengers: Infinity War, there’s a refreshing break from the bleak with Ant-Man and the Wasp. There’s no painful conflict of a father trying to be a hero, nor a hugely tragic villain of messy plight for him to best. It’s just a light and bright spectacle of a summer blockbuster that has fun with its size-altering heroes and phase-shifting villains. You remember what fun was like in these movies, right? Before half the universe died in that last Marvel film?
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“The Incredibles 2” Review

The screening of Incredibles 2 began with an apologetic thank you from the cast. Yes, it has taken 14 years for Pixar to construct a sequel for their fan-favorite of a film that perfectly blended the family dynamic with superhero theatrics. But as Samuel L. Jackson assures us, it will be worth the wait. He’s not just tooting the Disney horn, nor is the cantankerous writer/director Brad Bird, who returns to the franchise with fresh ideas to flex those old animated filmmaking muscles. And it is every bit as brilliant, exciting, and dazzling as its predecessor.
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“Deadpool 2” Review

It’s time to make the chimichangas once more, but Deadpool 2 doesn’t exactly bring a new recipe to the table, more or less reheating his fourth-wall breaking insanity with discerning splashes of new characters to ally and assault. Is it still as funny and biting as the previous film was with savaging the unstoppable superhero cinema franchises? Absolutely, but between the laughs is a lingering element of sequel-itis and overstuffing, a common trait of most superhero sequels that could use a good ribbing. The film may be knowing enough to mock Fox’s lack of character licensing and their poor decisions with previous Marvel movies, but it could stand to defy convention a little more as it defies just about all other expectations of the genre.
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“Avengers: Infinity War” Review

If the abundance of superheroes at the cinema has fatigued audiences, Avengers: Infinity War may be the most exhausting of the subgenre, albeit the most satisfying of the Avengers films. There are well over 30 heroes present, multiple arcs that splinter and crossover, and the grandest of action scenes in a superhero ensemble to end all superhero ensembles. It’s a mighty ambitious project with a budget as monstrous as its casting, but it’s a relief to report that directors Anthony and Joe Russo have proven once again they can juggle dozens of characters and twice as many plotlines. There isn’t much time for the audience or the characters to catch their breath in this mad dash of an event picture, but the amount of chemistry and pathos weaved into this oversized action picture is an amazing enough feat in itself, daring enough to dizzy even the most astute of Marvel fans.
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“The Tick: Season 1” (2017) Review

As the third attempt at adapting Ben Edmund’s cult classic comic book for the small screen, Amazon Studio’s take on The Tick is perhaps the most liberating. Unshackled from the binds of network television, the superhero show can venture into any territory it feels free; from dark pathos to bloody action, to more blatant adult situations. It’s this freedom that gives the latest interpretation of the big blue hero’s world a plethora of potential, even if it has yet to fully tap all it’s worth.
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“Black Panther” Review

There is a lot of pressure in the tsunami of cinematic superheroes to make something that will stand out from the crowd, but Ryan Coogler is more than up to the challenge with Black Panther. He doesn’t merely give the hero first introduced in Captain America: Civil War a standard solo film to showcase his powers, world, and rogues gallery. Coogler loads his picture up with a unique style, purpose, and, yes, even politics, to create one of Marvel Studio’s best films and not just a bridge to Avengers: Infinity War.
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