“The Greatest Showman” Review

Songwriters Benj Pasek and Justin Paul have been hailed for their amazing lyrical work on last year’s musical hit La La Land, a film with a stunningly invigorating soundtrack of jazz and orchestral wonder. They’re touted on the poster of The Greatest Showman as being hired to breathe that same amount of energy and toe-tapping to the tale of showman P.T. Barnum. Much like Barnum, they do a stellar job at hoodwinking audiences into attending this spectacle for the promise of an entertaining musical. And while director Michael Gracey certainly delivers music and sequences of grand design, there’s an aroma of a machine to its assembly as opposed to the heartfelt biopic of amazing feats this production was going for.
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“Baywatch” Review

Baywatch was the most trashy of 1990s television that started out as a suggestive lifeguard drama and spun itself into the craziest of spin-offs where characters solved ghost mysteries at night. No, seriously, look up Baywatch Nights – it’s real. The show at least started of knowing it what it wanted to be with daring rescue drama and plenty of slow-motion shots of Pamela Anderson’s boobs bouncing and David Hasselhoff’s hairy chest glistening. That’s more than I can say for this big screen adaptation that can’t decide what movie it wants to be. Is it a R-rated puke-fest of a comedy or a hard-nosed adventure of daring feats? Is it an intense story of water rescues or a silly caper of foiling a drug scheme? It is all these and none of them – the jack of all cliches and fool of them all.
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