“Resident Evil” (2026) Review
“Accidents happen!” One character shouts this line while quickly trying to explain how a zombie outbreak occurred, but it ends up being the ethos of Resident Evil. Rather than stitching
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All Things Movies With Mark McPherson
“Lesbian Space Princess” Review
The freedom of queer filmmaking has reached a point where we could use an animated picture as blunt and vulgar as Lesbian Space Princess. This isn’t a cute, sci-fi coming-of-age
“Is God Is” Review
Aleshea Harris’s bold, offbeat directorial debut gives the aged subgenre of revenge thrillers a spicier Southern Gothic coating. Based on her play of the same title, Is God Is tries
“Over Your Dead Body” (2026) Review
When a married couple tries to kill each other, the obvious question arises: Was divorce not on the table? The subject doesn’t really come up in the absurd violence of
“Hope” (2026) Review
Hope is a fitting title for this creature-feature romp that almost finds a groove amid its fast-paced, bonkers scenes. There were always moments that kept drawing me back into this destructive
“Buffet Infinity” Review
On a dull Sunday afternoon, the mediocre onslaught of television churns out cheap, hollow cries of capitalist noise. The greased-up footage of Americana food, the tacky gimmicks of car dealerships,
“Onslaught” Review
I can imagine a younger version of myself enthusiastically speaking about a movie like Onslaught, specifically because of its ingredients. It’s a mindset I might have to channel to explain why
“Buddy” (2026) Review
The fossilized footprint of Barney the Dinosaur was so ubiquitous in the 1990s that it’s hard to explain his fluffy grip on the youth and the toxic level of hatred
“Colony” (2026) Review
After legions of zombie outbreak movies, it can be tough to find something more exciting beyond the humdrum theatrics of contorting bodies, flesh-munching teeth, and gallons of toxic blood. Colony
“The Christophers” Review
Watching the chemistry between Ian McKellen and Michaela Coel in The Christophers is akin to watching two battered ships weathering the stormy waters of art. Devoted to painting, they’ve come