“Minions & Monsters” Review
The many movies of the yellow, gibberish-spewing creatures from Despicable Me have served up cute vignettes of cartoon silliness, but rarely kept pace as a feature film. This has been
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All Things Movies With Mark McPherson
“Supergirl” (2026) Review
As a change of pace from last year’s bright and hopeful Superman movie, Supergirl aims to be the messier DC Comics movie, coated in brash boozing and grimy aliens. But
“Backrooms” Review
As a 20-year-old director, Kane Parsons incredibly taps into the dangers of memory and nostalgia in Backrooms. He understands the greater terror within the spooky concept of liminal spaces, which
“Disclosure Day” Review
Steven Spielberg has directed some of the most hopeful and profound science fiction, some of which were about aliens that want to talk rather than conquer. Disclosure Day is very
“Masters of the Universe” (2026) Review
Based on the cartoon made to sell toys, Masters of the Universe surprisingly packs far more on its plate than just more Mattel merchandise to push. There’s a knowing quality
“Star Wars: The Mandalorian and Grogu” Review
The Star Wars movies have been held in such high regard for many decades that even the mildest deviation has sparked polarization. What started as a thrilling fusion of sci-fi
“Nirvanna the Band the Show the Movie” Review
Time-travel movies are more fun for our relationship with existence than for the mechanics of experiencing the past and changing the future. There’s a reason why Back to the Future
“I Love Boosters” Review
Boots Riley once more wields anti-capitalist satire on a level that feels like a subversive underground comic book brought to life. Grander than his previous project, I Love Boosters takes
“The Super Mario Galaxy Movie” Review
While oxygen doesn’t seem to be a problem with this space-bound adventure, there is no breathing room for a movie this bloated with the Nintendo stuff. Rather than further develop
“Project Hail Mary” Review
Even with its hard-science components, Project Hail Mary plays more like a comfy genre picture, favoring hope and heart amid its grand space mission. Andy Weir’s intricate writing takes on