“Backrooms” Review
As a 20-year-old director, Kane Parsons incredibly taps into the dangers of memory and nostalgia in Backrooms. He understands the greater terror within the spooky concept of liminal spaces, which
Skip to content
All Things Movies With Mark McPherson
“Obsession” (2026) Review
How wonderfully weird this monkey paw curls. The premise of Obsession is easy to explain as a careful-what-you-wish-for tale of terror, but it’s absurd to reduce it to such simplicity.
“Mother Mary” (2026) Review
Mother Mary isn’t so much a film about artistic fame descending into dark madness as it is about trying to find a path forward in the aftermath of the erosion
“Primate” (2026) Review
How I wish a movie like Primate had graced the video store shelves of the 1990s, advertised with a terrifying cover of a screaming chimpanzee, thirsty for blood. It would
“Bodycam” (2025) Review
There is something worth exploring in Bodycam, a movie that struggles to extend its short-concept horror idea past an hour. There’s plenty to play with in how the film stages
“Ready or Not 2: Here I Come” Review
There’s more mess in the sequel to Ready or Not that manages to still satisfy even when the Satanic magic isn’t as potent the second time around. Here I Come
“undertone” Review
There’s something undeniably spooky about nestling your ears in headphones, listening to mysterious audio files, and hearing something sinister concealed in the background or hidden in reverse. Undertone has that
“Dolly” (2026) Review
The masked killer of Dolly feels familiar yet unique. The premise of a killer adorned in a giant doll head, dress, and a desire to play house is a recipe
“Iron Lung” Review
There’s a scrappy ambition behind Iron Lung that is admirable, especially as an indie film based on an indie game, rather than a big gaming franchise given the big-studio treatment.
“Send Help” Review
Whenever Sam Raimi directs horror, it’s always a treat. A nasty treat of blood and vomit so caked in the grotesque that you have to laugh at the absurdity of