“Shaun the Sheep: The Beast of Mossy Bottom” Review
The Shaun the Sheep movies by Aardman Animations are always such a charming showcase of stop-motion animation at its finest that it seems the woolly adventures can do no wrong.
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All Things Movies With Mark McPherson
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Movies With Mark 
“The AI Doc: Or How I Became an Apocaloptimist” Review
As artificial intelligence grows increasingly unstable, resource-hungry, and frighteningly integrated into government, it’s important to understand this concerning technology. The AI Doc, despite its title, isn’t a movie built to
“Verity” Review
Rarely have I seen a thriller so passively absurd and tedious that I’d say it were an unfinished draft, if not for being based on a published novel. Here is
“Digger” (2026) Review
Alejandro G. Iñárritu’s Digger is a climate-change satire with many of the ingredients audiences expect from this kind of comedy. Powerful men make stupid moves that doom the planet, and
“Ha-Chan, Shake Your Booty!” Review
Life isn’t a musical, but wow, how we wish it were sometimes. Ha-Chan, Shake Your Booty is a film that prefers to get lost in clouds of enticing moves and
“The Stunt Driver” (2026) Review
Ken Carter was a stunt driver who dared to match Evel Knievel’s heights, but always fell just a bit short. Jay Baruchel’s performance as this risk-taking figure might be one
“Forgotten Island” Review
While many animated films adopt a frenetic pace to keep up with a young audience, Forgotten Island earns its energy-drink-fueled pace with a film about the importance of memories and
“Primetime” (2026) Review
At its peak, Chris Hansen’s To Catch a Predator became a cultural phenomenon and generated jokes, despite addressing a deeply concerning issue. The reality program, in which Hansen’s team would
“Run Hide Fight: Infidels” Review
When Kyle Rankin directed Run Hide Fight, he didn’t know his film would become a launch title for The Daily Wire’s conservative entertainment branch. His movie, best described as Die
“The Weight” (2026) Review
You can likely find plenty of familiar ingredients in how director Padraic McKinley composes his Depression-era thriller, but wow, does he know how to cook them. The Weight never feels