“Love Hurts” (2025) Review
Love Hurts plays like a misfiring Valentine. It has plenty of reliable ingredients for a film that could have been equal parts bruised-arm action, absurd-suburb comedy, and dangerous romance. But
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All Things Movies With Mark McPherson
“You’re Cordially Invited” Review
Watching You’re Cordially Invited is like being invited to a tedious wedding of some old friends. You love seeing them again and remember your good times, but the ceremony tests
“Back in Action” (2025) Review
I hate how old Back in Action feels. It’s not just that this action-comedy makes dated references, but pulls dated genre tropes straight off the shelf without even a dusting.
“Dog Man” Review
I find myself now placed in the spot where an adult critic must critique an animation squarely aimed at the young kids who consume the easy/fun-to-read books of Dog Man.
“Get Away” (2024) Review
Subversion is a tricky thing to inject into a film. Get Away is a film that attempts to surprise with its twist of a folk horror nightmare vacation that is
“Wallace & Gromit: Vengeance Most Fowl” Review
Sure, I’ve been critical of the past few Aardman Animations like Early Man and the sequel to Chicken Run, but it’s hard to find any fault within the romps of
“Red One” Review
I’m not opposed to the idea of Red One posing as a Fast & Furious Christmas special. In fact, I was hoping for that level of momentum to carry this
“Sonic The Hedgehog 3” Review
I suppose I should’ve felt something when this film references the classic blow-in-the-cartridge technique and two Millenials declare that the 1990s were the best decade. I grew up in that
“Nightbitch” Review
Nightbitch is a film that kinda/sort of wants to be a creature feature. It wants to dabble in its weirdness of a mom turning into a dog as much as
“Spellbound” (2024) Review
It’s weirdly fitting that Spellbound is an animated fantasy about divorce, considering the rocky road of this film’s production company. This is the second feature from Skydance Animation, which has