“Bodycam” (2025) Review
There is something worth exploring in Bodycam, a movie that struggles to extend its short-concept horror idea past an hour. There’s plenty to play with in how the film stages
There is something worth exploring in Bodycam, a movie that struggles to extend its short-concept horror idea past an hour. There’s plenty to play with in how the film stages
There’s more mess in the sequel to Ready or Not that manages to still satisfy even when the Satanic magic isn’t as potent the second time around. Here I Come
There’s something undeniably spooky about nestling your ears in headphones, listening to mysterious audio files, and hearing something sinister concealed in the background or hidden in reverse. Undertone has that
The masked killer of Dolly feels familiar yet unique. The premise of a killer adorned in a giant doll head, dress, and a desire to play house is a recipe
There’s a scrappy ambition behind Iron Lung that is admirable, especially as an indie film based on an indie game, rather than a big gaming franchise given the big-studio treatment.
Whenever Sam Raimi directs horror, it’s always a treat. A nasty treat of blood and vomit so caked in the grotesque that you have to laugh at the absurdity of
It’s so exciting to see Danny Boyle not only return to his 28 Days Later world with new ideas, but open it up like a playground of blood and guts
The most impressive aspect of Five Nights at Freddy’s 2 is that sometimes it’s functional. Though still bound by the first film’s messy mash of video game lore, sloppy logic,
Fairy tales have been contorting back from the Disney glaze of wholesomeness to be a little darker and more questioning of perspectives, where even Disney was taking a swing towards
There’s a love that Guillermo del Toro brings to his take on the classic literary and film monster. While his version of Frankenstein stays closer to the Mary Shelley novel,