“Babygirl” Review
If last year’s erotic thriller Fair Play was a battle of the sexes in the shifting dynamic in the workplace, Babygirl is the fallout of that war where the women
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All Things Movies With Mark McPherson
“Maria” (2024) Review
The best part of Pablo Larraín’s films about 20th-century women is that he digs more into the psychological horror than the historical decadence of his subjects. His past films of
“The End” (2024) Review
Director Joshua Oppenheimer had crafted two of the most important documentaries of the 2010s, The Act of Killing and The Look of Silence, both films centering on the Indonesian genocide
“Queer” (2024) Review
Queer feels like the ultimate challenge for director Luca Guadagnino. He tries to adapt the William S. Burroughs novel in a way that explores something left unsaid about the author’s
“Nightbitch” Review
Nightbitch is a film that kinda/sort of wants to be a creature feature. It wants to dabble in its weirdness of a mom turning into a dog as much as
“Small Things like These” Review
Evil not only triumphs when good men do nothing but when there are enough distractions for it to fester. What better time for that inhumanity to silently grow than Christmas.
“The Last Showgirl” Review
Gia Coppola’s The Last Showgirl is the type of film that feels tailor-made for someone like Pamela Anderson. This is a film all about the end of an era. When
“Cuckoo” (2024) Review
Sometimes, the right atmosphere can work wonders for a horror idea that can’t quite take flight. That is very much the case with Cuckoo, a film that succeeds at being
“Spellbound” (2024) Review
It’s weirdly fitting that Spellbound is an animated fantasy about divorce, considering the rocky road of this film’s production company. This is the second feature from Skydance Animation, which has
“Nosferatu” (2024) Review
Director Robert Eggers always has an ease for the accuracy in how he stages his many historical horrors. His take on Nosferatu is no different, staging the classic Gothic horror