“Winner” (2024) Review
If 2023’s Reality was too terrifying for how it focused on the tragic tale of whistleblower Reality Winner, then 2024’s Winner is a lighter chaser. The corruption within the US
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All Things Movies With Mark McPherson
“Soundtrack to a Coup d’Etat” Review
The crisis within Congo, which the United Nations instigated, deserves something more than a bog-standard documentary. It needs something loud and angry. It would be best if you felt like
“Love Hurts” (2025) Review
Love Hurts plays like a misfiring Valentine. It has plenty of reliable ingredients for a film that could have been equal parts bruised-arm action, absurd-suburb comedy, and dangerous romance. But
“This Is the Tom Green Documentary” Review
Long before the advent of YouTube prankers and even before the age of Jackass, there was Tom Green. He tried anything for a laugh, making him a stand out of
“You’re Cordially Invited” Review
Watching You’re Cordially Invited is like being invited to a tedious wedding of some old friends. You love seeing them again and remember your good times, but the ceremony tests
“Back in Action” (2025) Review
I hate how old Back in Action feels. It’s not just that this action-comedy makes dated references, but pulls dated genre tropes straight off the shelf without even a dusting.
“Dog Man” Review
I find myself now placed in the spot where an adult critic must critique an animation squarely aimed at the young kids who consume the easy/fun-to-read books of Dog Man.
“Star Trek: Section 31” Review
There has always been a debate on Star Trek regarding its best and worst interpretations. In the realm of movies, there were debates over which Trek film was worst, ranging
“The Girl with the Needle” Review
In the fight for abortion and female empowerment, The Girl with the Needle doesn’t shy away from the darkness of that struggle in 1919 Denmark. Not just the darkness of
Thoughts on the 2025 Oscar Nominations
The Oscar nominations were announced this week and there’s plenty of surprises this year. Some were genuinely pleasing, as with Sean Baker’s wild drama Anora and the body horror The