“Hope” (2026) Review
Hope is a fitting title for this creature-feature romp that almost finds a groove amid its fast-paced, bonkers scenes. There were always moments that kept drawing me back into this destructive
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All Things Movies With Mark McPherson
“Buffet Infinity” Review
On a dull Sunday afternoon, the mediocre onslaught of television churns out cheap, hollow cries of capitalist noise. The greased-up footage of Americana food, the tacky gimmicks of car dealerships,
“The Christophers” Review
Watching the chemistry between Ian McKellen and Michaela Coel in The Christophers is akin to watching two battered ships weathering the stormy waters of art. Devoted to painting, they’ve come
“Solo Mio” Review
The appeal of Kevin James is that he has the appearance and demeanor of an average dude, believable enough to fit snugly into the roles of garbage men and mall
“Coyote vs. Acme” Review
Delayed and nearly canceled, there’s a poetic nature to how Coyote vs. Acme‘s story reflects a troubled release, given that it’s about a corporation silencing voices. But even without that
“Tony” (2026) Review
It’s almost too fitting that director Matt Johnson helms this biopic of the culinary marvel Anthony Bourdain. Johnson’s previous picture from this year, Nirvana The Band The Show The Movie,
“Teenage Sex and Death at Camp Miasma” Review
While many horror films are content floating in the kiddie pool of nostalgia, Jane Schoenbrun straps on some scuba gear to dive into the deeper depths of the genre. What
“Moana” (2026) Review
I suppose the best way to look at the abundance of these animation-to-live-action remakes is like cover songs. The association is easier to make when applied to the musical Moana,
“Minions & Monsters” Review
The many movies of the yellow, gibberish-spewing creatures from Despicable Me have served up cute vignettes of cartoon silliness, but rarely kept pace as a feature film. This has been
“She’s the He” Review
Siobhan McCarthy’s coming-of-age film makes a crucial revision to a tired, sexist, and transphobic comedy trope. Too many times has there been a gender-based comedy where men pretend to be