“Broken Rage” Review
There’s an irresistible playfulness to how Takeshi Kitano tinkers with his duality of the gritty and goofy. As an actor and director known for both his absurd comedy and vicious
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All Things Movies With Mark McPherson
“The Monkey” (2025) Review
There’s only so many times you can show people dying that horror turns into a farce. From the creative slashing of A Nightmare on Elm Street to the Rube-Goldberg-style traps
“Paddington in Peru” Review
There’s an enduring nature to how Paddington’s wholesome and clever antics can remain warm and inviting even among the tiredly familiar. An adventure in the jungle searching for a lost
“Winner” (2024) Review
If 2023’s Reality was too terrifying for how it focused on the tragic tale of whistleblower Reality Winner, then 2024’s Winner is a lighter chaser. The corruption within the US
“Love Hurts” (2025) Review
Love Hurts plays like a misfiring Valentine. It has plenty of reliable ingredients for a film that could have been equal parts bruised-arm action, absurd-suburb comedy, and dangerous romance. But
“You’re Cordially Invited” Review
Watching You’re Cordially Invited is like being invited to a tedius wedding of some old friends. You love seeing them again and remember your good times, but the ceremony tests
“Back in Action” (2025) Review
I hate how old Back in Action feels. It’s not just that this action-comedy makes dated references, but pulls dated genre tropes straight off the shelf without even a dusting.
“Dog Man” Review
I find myself now placed in the spot where an adult critic must critique an animation squarely aimed at the young kids who consume the easy/fun-to-read books of Dog Man.
“Get Away” (2024) Review
Subversion is a tricky thing to inject into a film. Get Away is a film that attempts to surprise with its twist of a folk horror nightmare vacation that is
“Wallace & Gromit: Vengeance Most Fowl” Review
Sure, I’ve been critical of the past few Aardman Animations like Early Man and the sequel to Chicken Run, but it’s hard to find any fault within the romps of