“The Venture Bros.: Radiant Is the Blood of the Baboon Heart” Review
Of all the shows to grace the late-night block of Cartoon Network’s Adult Swim, The Venture Brothers are easily part of their top tier. What began as a satire of
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All Things Movies With Mark McPherson
“Teenage Mutant Ninja Turtles: Mutant Mayhem” Review
The Ninja Turtles were my jam growing up. I loved the toys, the cartoons, the live-action movies, and I even watched the absurd musical stage show tape too much as
“Barbie” Review
At some point, amid Barbie’s toy existence, somebody joked that Barbie doesn’t have a vagina, and Ken doesn’t have a penis. It’s the easiest and most immediate joke that comes
“Ruby Gillman, Teenage Kraken” Review
In the same way this film’s central character exists between two worlds, Ruby Gillman is a film that feels caught between Dreamworks’s innovations and modern animation’s simplistic reliability for kids.
“Asteroid City” Review
Despite what the vibrant vintage might imply, Wes Anderson’s Asteroid City may be the director’s darkest film (as well as his most brilliant). It is a film about death but
“Elemental” Review
Pixar is usually at its best when its animated films can do one of two things. They either create a world we’ve never seen before with a heavy dose of
“You Hurt My Feelings” Review
There’s an almost aggravating preciousness to how tender this dramedy of New Yorkers proceeds. The film features characters who have weathered so much insecurity amid all their devoted love. There’s
“Beau is Afraid” Review
It might be hard to sell Beau is Afraid as Ari Aster’s weirdest film to date. He’s already made surreal nightmares with Hereditary and Midsommer, horror films with so much
“Renfield” Review
Renfield is a horror-comedy that makes a controversial call to mix two types of horror. It wants to embrace the allure of vampire lore and the poignant nature of toxic
“Dungeons and Dragons: Honor Among Thieves” Review
Dungeon and Dragons doesn’t like it’d be the hardest of IPs to transform into a movie, given the freedom of forming campaigns. There’s no rigid plot to follow from the