“Clown in a Cornfield” Review
After helming the highly subversive Tucker & Dale vs. Evil, director Eli Craig doesn’t bring that same satire to the standard slasher stagings of Clown in a Cornfield. But for
Skip to content
All Things Movies With Mark McPherson
“I Know What You Did Last Summer” (2025) Review
“Nostalgia is overrated,” states the returning Jennifer Love Hewitt during the climax. I agree with her, but I don’t think this clumsy legacy sequel to I Know What You Did
“M3GAN 2.0” Review
The sequel to the tongue-in-cheek sci-fi/horror M3GAN feels less like an expansion of the story and more of a stress test for the titular terror. The acid-spitting killer AI of
“28 Years Later” Review
While it hasn’t technically been 28 years since Danny Boyle’s 28 Days Later, the director returns to his zombie film with new ideas alongside familiar screenwriter Alex Garland. The two
“Predator: Killer of Killers” Review
Dan Trachtenberg’s Killer of Killers feels like the likely follow-up to his Predator spin-off, Prey. What other time periods and settings could be used for the Predator formula? While this
“Fear Street: Prom Queen” Review
The scariest thing about Prom Queen is that it feels less like a step down and more like a full-on tumble from the other Fear Street movies. There was a
“Final Destination Bloodlines” Review
As the sixth film in the Final Destination saga, Bloodlines is smart enough to toy with the material. By now, everybody knows the formula. There’s an opening onslaught of accidental
“Frankie Freako” Review
Frankie Freako feels like a wild retro cocktail of combining the allure of those enticing hotline numbers and gross-out puppetry. The obvious inspiration for such a film was the commercial
“Rumours” (2024) Review
There’s a peculiar reflection within Rumours, a film about world leaders being exposed as pretentious amid a crisis they so vaguely observe. The attempt to weave political satire with some
“Companion” (2025) Review
Sometimes the right attitude can carry a picture through its old paths with renewed vigor. This is very much the case with Companion, a film that initially relies on its