“Bliss” Review
Mike Cahill’s filmography of high-concept sci-fi has perhaps straddled my expectations so high for Bliss that’s a towering disappointment of reality contemplation. The big ideas are there, the existential questioning
Mike Cahill’s filmography of high-concept sci-fi has perhaps straddled my expectations so high for Bliss that’s a towering disappointment of reality contemplation. The big ideas are there, the existential questioning
The sci-fi mystery of Synchronic starts off fairly scientific but quickly veers off into wilder territory. The initial explanation for its fantastical appeal of time-travel drugs is that a pill
Christopher Nolan’s grand ideas for mind-bending action are certainly unparalleled. Tenet is undoubtedly his most elaborate, playing with time and its inversion to stage the most trippy and tense of
Greg Rucka resides over the screenplay adaptation of his comic book The Old Guard which breaths with an air more akin to snugly fitting a mainstream action picture. Though its
I have to admire the boldness of The Vast of Night casting no doubt of what it’s trying to be. It’s a Twilight Zone episode, announced with a 1950s television
Roger Ebert once referred to Die Hard as a bruised-arm action picture, where the hero ends up battered and bloody by the end of the picture after having survived an
Sonic the Hedgehog, personally, is a conflict of nostalgia. I grew up playing the Sega Genesis games which made the blue blur become an icon of my childhood. I also
About 1/3 of the way through Underwater, one character remarks that what happens next better not be some 20,000 Leagues Under the Sea shit. And it sort of is. And
After half a decade of Star Wars madness, we come to the end of a new trilogy. Much like the previous third trilogy entries of the saga, The Rise of
Even though the Terminator franchise seems to have been stuck in the same gear since its initial time-travel premise, Dark Fate tries desperately to switch out as many parts as