“Godzilla vs. Kong” Review
It’s hard to talk about something like Godzilla vs. Kong and not just equate it to a blow-by-blow recount. This doesn’t make such a film bad as it’s rather pleasing
It’s hard to talk about something like Godzilla vs. Kong and not just equate it to a blow-by-blow recount. This doesn’t make such a film bad as it’s rather pleasing
Fittingly titled, Zack Snyder’s Justice League is the most Snydery film he’s ever made. All of his usual hallmarks are ramped up to absurd degrees. The colors are extra washed
Mike Cahill’s filmography of high-concept sci-fi has perhaps straddled my expectations so high for Bliss that’s a towering disappointment of reality contemplation. The big ideas are there, the existential questioning
The sci-fi mystery of Synchronic starts off fairly scientific but quickly veers off into wilder territory. The initial explanation for its fantastical appeal of time-travel drugs is that a pill
Christopher Nolan’s grand ideas for mind-bending action are certainly unparalleled. Tenet is undoubtedly his most elaborate, playing with time and its inversion to stage the most trippy and tense of
Greg Rucka resides over the screenplay adaptation of his comic book The Old Guard which breaths with an air more akin to snugly fitting a mainstream action picture. Though its
I have to admire the boldness of The Vast of Night casting no doubt of what it’s trying to be. It’s a Twilight Zone episode, announced with a 1950s television
Roger Ebert once referred to Die Hard as a bruised-arm action picture, where the hero ends up battered and bloody by the end of the picture after having survived an
Sonic the Hedgehog, personally, is a conflict of nostalgia. I grew up playing the Sega Genesis games which made the blue blur become an icon of my childhood. I also
About 1/3 of the way through Underwater, one character remarks that what happens next better not be some 20,000 Leagues Under the Sea shit. And it sort of is. And