“Scoob!” Review
Scooby-Doo has remained a constant icon of the Hanna-Barbera cartoon stock for so long one often wonders how it continues to linger. Born from the groovy 1960s setting and still
Scooby-Doo has remained a constant icon of the Hanna-Barbera cartoon stock for so long one often wonders how it continues to linger. Born from the groovy 1960s setting and still
As the first major film to forgo a theatrical release amid the COVID-19 pandemic to favor a digital release, Trolls: World Tour has a benefit to offering comfort during tough
Even if the connected Dark Universe was declared dead after the dismal action reworkings of The Mummy, Universal wasn’t ready to throw in the towel for remaking their monster movies.
In a time of political divisiveness, The Hunt more or less aims to be the South Park of social horror. It has no greater ambition to say something overt about
I think there’s an odd conception about movies based on video games, that they must suffer from some curse. I wrote a book called Pixels to Premieres: A History of
1984’s Revenge of the Nerds is a film that has not aged well. At all. This notion has been a little easier to accept shortcomings that become more obvious over
Pixar once more does what they do best: a detailed sense of worldbuilding with a movingly emotional story behind it. Considering their previous films that mostly relied on aged and
The last movie I saw prior to the Coronavirus pandemic shutdown was a preview screening of Bloodshot, a routine and forgettable action picture of Vin Diesel playing a cyborg seeking
Roger Ebert once referred to Die Hard as a bruised-arm action picture, where the hero ends up battered and bloody by the end of the picture after having survived an
Sonic the Hedgehog, personally, is a conflict of nostalgia. I grew up playing the Sega Genesis games which made the blue blur become an icon of my childhood. I also