“The Week Of” Review
It was so refreshing to see Adam Sandler in a capable comedy of The Meyrowitz Stories that something as tedious as The Week Of is a depressing return to form.
It was so refreshing to see Adam Sandler in a capable comedy of The Meyrowitz Stories that something as tedious as The Week Of is a depressing return to form.
The return for the raunchy highway patrolmen that functioned more like a fraternity doesn’t come roaring back with a timely new story to tell. It doesn’t even return with an
It’s refreshing to see Wes Anderson bring his dark, dry, and gorgeous gift for comedy to the realm of animation. In a medium that seems to favor the two tones
I know the story of Peter Rabbit, the blue-jacket wearing rabbit that didn’t listen to his mother and was almost killed by Mr. McGregor for entering his garden. Ah, but
Tommy Wiseau is a fascinating director. The Disaster Artist begins with interviews of real celebrities talking about him and his film The Room as if he was a genius that
What an astounding recovery for Adam Sandler. His contract with Netflix has led him from making Sandy Wexler, one of 2017’s worst films, to The Meyerowitz Stories, one of the
McG’s wild stab at a dark horror comedy continuously misses the mark, struggling to land a laugh like a lousy comedian flopping about a stage slippery with blood. Not only
Tom Hanks is such a likable guy that something as sappy and sweet as Larry Crowne is sure to cause a cavity. But unlike his stronger fables of Forrest Gump
Baywatch was the most trashy of 1990s television that started out as a suggestive lifeguard drama and spun itself into the craziest of spin-offs where characters solved ghost mysteries at
This is the black hole of cliche comedy that every road trip movie swirls around but rarely dares to enter. Diary of a Wimpy Kid: The Long Haul doesn’t just