“Aquaman and The Lost Kingdom” Review
As the DCEU ends, Aquaman’s exuberant nature arrives like the party animal far too late to get in on the party. The superhero swings by for his sequel with a
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All Things Movies With Mark McPherson
“The Boy and The Heron” Review
Hayao Miyazaki’s masterful work in animation is something he can’t seem to tear away from. In the late 1990s, he intended the environmental fantasy Princess Mononoke to be his final
“Wish” Review
Walt Disney Studios composed two tributes this year to commemorate a hundred years of productions. The first we glimpsed was Once Upon a Studio, a short and sweet crossover of
“The Venture Bros.: Radiant Is the Blood of the Baboon Heart” Review
Of all the shows to grace the late-night block of Cartoon Network’s Adult Swim, The Venture Brothers are easily part of their top tier. What began as a satire of
“Barbie” Review
At some point, amid Barbie’s toy existence, somebody joked that Barbie doesn’t have a vagina, and Ken doesn’t have a penis. It’s the easiest and most immediate joke that comes
“Ruby Gillman, Teenage Kraken” Review
In the same way this film’s central character exists between two worlds, Ruby Gillman is a film that feels caught between Dreamworks’s innovations and modern animation’s simplistic reliability for kids.
“Elemental” Review
Pixar is usually at its best when its animated films can do one of two things. They either create a world we’ve never seen before with a heavy dose of
“Suzume” Review
Makoto Shinkai made a massive splash in 2016 with Your Name, a coming-of-age anime fantasy that found fondness in the contemporary and cerebral. Given how revered that film became when
“The Super Mario Bros. Movie” Review
Nintendo fans might be taken aback by how The Super Mario Bros Movie opens with the typical Illumination logo presentation, featuring their iconic yellow minion characters engaging in a dose
“Dungeons and Dragons: Honor Among Thieves” Review
Dungeon and Dragons doesn’t like it’d be the hardest of IPs to transform into a movie, given the freedom of forming campaigns. There’s no rigid plot to follow from the