‘Kill City Cup’ Review
Wrestling sure has gotten more creative in the 21st century. I remember being enthralled by the theatrics of the WWF, watching fervently as a kid. Every surprise in and out
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All Things Movies With Mark McPherson
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Movies With Mark 
“The Venture Bros.: Radiant Is the Blood of the Baboon Heart” Review
Of all the shows to grace the late-night block of Cartoon Network’s Adult Swim, The Venture Brothers are easily part of their top tier. What began as a satire of
“Teenage Mutant Ninja Turtles: Mutant Mayhem” Review
The Ninja Turtles were my jam growing up. I loved the toys, the cartoons, the live-action movies, and I even watched the absurd musical stage show tape too much as
Sound of Freedom is a QAnon Trojan Horse
Sound of Freedom is a 2023 crime thriller starring Jim Caviezel. The film centers around true-life figure Tim Ballard, an ex-homeland security investigator who pursued a life of vigilance to
“Oppenheimer” Review
I’ve often called Christopher Nolan the thinking man’s Michael Bay, and I know I’m not the only one to share this perspective. He makes big films where things blow up
“Barbie” Review
At some point, amid Barbie’s toy existence, somebody joked that Barbie doesn’t have a vagina, and Ken doesn’t have a penis. It’s the easiest and most immediate joke that comes
“Mission: Impossible – Dead Reckoning Part One” Review
Now in its seventh entry, Mission: Impossible remains one of the most exhilarating action-spy franchises. Though a long way from its simpler roots of the 1960s TV series and the
“Indiana Jones and the Dial of Destiny” Review
There’s a certain vibe that audiences have come to expect from the iconic Indiana Jones movies. Pulling from old adventure serials, they always carried an air of exciting treasure hunting
“Ruby Gillman, Teenage Kraken” Review
In the same way this film’s central character exists between two worlds, Ruby Gillman is a film that feels caught between Dreamworks’s innovations and modern animation’s simplistic reliability for kids.
“Asteroid City” Review
Despite what the vibrant vintage might imply, Wes Anderson’s Asteroid City may be the director’s darkest film (as well as his most brilliant). It is a film about death but