“Guardians of the Galaxy Vol. 3” Review
Nine years ago, director James Gunn convinced audiences to root for a talking raccoon and talking tree save the galaxy. Nine years later, he makes us cry about what might
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All Things Movies With Mark McPherson
“The Super Mario Bros. Movie” Review
Nintendo fans might be taken aback by how The Super Mario Bros Movie opens with the typical Illumination logo presentation, featuring their iconic yellow minion characters engaging in a dose
“Jurassic World: Dominion” Review
Lumbering on at 2.5 hours, Jurassic World Dominion is a test to see how many dinosaur movie tropes you can reiterate in one feature. Here is a film in which
Stupid Alien Wars
2021’s The Tomorrow War is a fairly generic and frankly forgettable alien invasion movie. Mysterious aliens ravage Earth in the future and humanity sends back soldiers to retrieve people from
“Onward” Review
Pixar once more does what they do best: a detailed sense of worldbuilding with a movingly emotional story behind it. Considering their previous films that mostly relied on aged and
“The Lego Movie 2: The Second Part” Review
2014’s The Lego Movie was such a groundbreaking animated take on toy-based property films that a sequel would not be easy to craft. So it’s not the least bit surprising
“Jurassic World: Fallen Kingdom” Review
I was so enraptured with the giddy delight of adventure in Jurassic World replicating that same wonder from childhood that I brought high hopes to Fallen Kingdom. But then I
“Avengers: Infinity War” Review
If the abundance of superheroes at the cinema has fatigued audiences, Avengers: Infinity War may be the most exhausting of the subgenre, albeit the most satisfying of the Avengers films.
“Guardians of the Galaxy Vol. 2” Review
The best and worst thing that can be said of the sequel to Guardians of the Galaxy is that it’s more of the same. If you liked the last movie,
“Passengers” (2016) Review
To call Passengers junkie science fiction would be too kind. This is the slick Hollywood glaze of science fiction which is not about high-concept ideas for fun pulp, but an