“The Falcon and The Winter Soldier” Review (Episode 1)
The benefit of saddling the Marvel Cinematic Universe in a miniseries format can allow for better breathing room and more experimentation. It’s the perfect vehicle to give the sidekicks of
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All Things Movies With Mark McPherson
“Raya and the Last Dragon” Review
As with the best of Disney’s modern animated films, Raya and the Last Dragon takes viewers to a different world. The story is set in a fantastical and original world,
“Flora & Ulysses” Review
It’d be so easy for something like Flora & Ulysses to be a par-for-the-course cute animal movie, where a clearly CGI pet helps saves the day. Thankfully, director Lena Khan
“WandaVision” Review (Episodes 1-3)
There’s a surreal charm and also a pleasing divergence within WandaVision. Sure, the show starts with the familiar Marvel Studios logo reveal we’ve become used to with every Marvel Cinematic
“Onward” Review
Pixar once more does what they do best: a detailed sense of worldbuilding with a movingly emotional story behind it. Considering their previous films that mostly relied on aged and
“Frozen II” Review
While 2013’s Frozen became firmly lodged in the pop-culture consciousness for its numerous merchandising and constant repetition of the soundtrack, it was also a film of great surprise and subversion.
“The Lion King” (2019) Review
As the second Disney film directed by Jon Favreau to feature computer-generated animals, The Lion King plays things relatively safe with the perfected formula of the studio remaking their animated
“Tomorrowland” Review
The overall message of Tomorrowland is that it’s easy to tear down, but more impressive to build something in its place. If only the movie could take its own advice about
“Avengers: Age of Ultron” Review
As the grand finale to Marvel’s second phase of their cinematic universe, the Avengers sequel aims to cram as much content as it can to deliver the biggest of bangs. But even
“Cinderella” (2015) Review
In an era where it seems as though all fairytales need to be turned on their heads from over-the-top action (Jack the Giant Slayer) to rape allegories (Maleficent), Disney’s live-action